Where's this clever composition on Perfect World? She comes close on cuts like "Knock You down", "Return The Favor", "Turnin' Me On" and "Alienated", but with no cigar.
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"So what, I was out with my friends! I'm a grown woman it's the weekeend." Keri sings, declaring her independence on "Miscomunication", "You do, you do, you, are, killin me, you're, killin me.I need to get out." Keri sings putting a clingy one night stand in his place, while effortlessly scaling the complex melody of the iresistable hook. Executively produced by Timbaland and Polow Da Don, both of whom share Keri as an artist on their respective labels, the album's attempts at monotonous R&B- the endless "Make Love" and the futile Prince-esque "Slow Dance"- leaves listeners with a feeling of nostalgia for the distinctive pop sounds she created on Timbaland's introduction of Ms. Yet after two under-performing solo singles, leaked material, various album release dates, and due success of her latest single the Lil' Wayne assisted "Turnin' Me On" Keri is finally set to deliver her long awaited debut, optimistically titled, In A Perfect World.(Interscope). The confessional "Ice Box" and award-winning "The Way I Are" by Omarion and Timbaland respectively, lending her vocals for the hook of the latter. With an affinity for writing simplistic yet catchy R&B/Pop cuts Keri Hilson has two Billboard Hot 100 Top Ten hits under her belt.
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Yet, the lines crafted for Hilson's debut effort, In A Perfect World (Interscope), could be sung affectively by either one of the mentioned songtresses. She needs to sit down she fadin'" she continues in an clumsy rap/sung combination.ĭuring a melodramatic intervention by Atlanta's V103 radio station Keri quickly shut down rumors about the aforementioned lines being jabs at superstar Beyonce, Ciara or any one in particular. You can dance, she can sing but need to move it to the le.(Don't do it to em shawty!)," Hilson puts forth her best imitation swagger, "She need to go have some babies. "Your vision cloudy if you think that you're the best. Yet this gloating caused quite the commotion when the targeted artist, in the remix to her Billboard top 20 hit "Turnin' Me On", was rumored to be the Queen Bey herself. Keri Hilson is not the first accomplished songwriter turned singer to throw her contributions in other artist's faces- see Kanye West albums 1, 2, & 3. Label big wigs aren't the only ones who seem to feel the void as prominent R&B/Hip-Hop producers such as T-Pain, Rich Harrison, and The-Dream all have groups of sweet In these gloomy times for the R&B girl group, record labels have taken notice and capitalized with filtered pop substitutes such as The Pussycat Dolls and presently disbanded Danity Kane who have both released two platinum albums and multiple top ten singles. Maybe rightfully so, how many of us went Back to Now(Verve) with Labelle or believed Cherish's Truth(Capitol)? Obviously not many as both 2008 albums were released to dismal sales. If they're not your favorite rapper's baby's mama, then they're cast on a reality show, or "in the studio" working on a solo and/or group project that seems will never see the light of day. Gone are the days of the harmonizing, in sync crew moreover the in your face, dare you to call me a bitch, united sisters with voices releasing a handful of hits a year.
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Why is this? When did we lose interest in the R&B girl group?
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KERI HILSON KNOCK YOU DOWN DEEPER VERSION CRACKED
Post B'Day(Columbia), presently the era after the release of Beyonce's second solo album and coincidentally Destiny's Child's last, no female R&B group has cracked Billboard's Hot 100 Top 20. Remember the day when rappers would push back their album release dates to avoid competing with the empowering spunk of TLC, or the biting femininity of En Vogue, even the self-assurance of a young Destiny's Child? These days a female R&B clique seemingly needs those same rappers, or existing variations, to drop a line on their own singles to score a hit.